![]() One of the biggest debates in the world of EQs is around when you should use subtractive EQ and when to use additive EQ, but we’ve been there and done that. While compression, reverb, and dozens of other effects are needed to add some polish to the whole thing, the EQ is definitely the most necessary when it comes to frequency control. ![]() ![]() Someone truly skilled with an EQ can make a static mix sound absolutely amazing before any type of fader automation or other post-processing. What I mean is, an EQ can make you “dexterous” with almost any audio source, dialing in a certain balance that makes everything behave well with each other and with other processors. An EQ in the studio is like an audio engineer’s right hand (or left hand if you’re left-handed, I guess…)
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